Ernest Hemingway Quotes (page 2)

1899–1961, American Writer · Wikipedia · Wikidata
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“I might say that what amateurs call a style is usually only the unavoidable awkwardnesses in first trying to make something that has not heretofore been made.”
VerifiedParis Review interview (1958) · evidenceDetails & citeStyle
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“Bullfighting is the only art in which the artist is in danger of death and in which the degree of brilliance in the performance is left to the fighter's honor.”
VerifiedDeath in the Afternoon (1932) · evidenceDetails & citeSports
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“The good parts of a book may be only something a writer is lucky enough to overhear or it may be the wreck of his whole damn life --and one is as good as the other.”
VerifiedLetter to F. Scott Fitzgerald (4 September 1929); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker · evidenceDetails & citeBooks and Reading
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“A serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.”
VerifiedDeath in the Afternoon (1932) · evidenceDetails & citeWriters and Writing
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“There are events which are so great that if a writer has participated in them his obligation is to write truly rather than assume the presumption of altering them with invention.”
VerifiedPreface to The Great Crusade (1940) by Gustav Regler · evidenceDetails & citeLiterature
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“I wish I could write well enough to write about aircraft. Faulkner did it very well in Pylon but you cannot do something someone else has done though you might have done it if they hadn't.”
VerifiedLetter (3 July 1956); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker · evidenceDetails & citeAirplane and Aviation
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“When you have shot one bird flying you have shot all birds flying. They are all different and they fly in different ways but the sensation is the same and the last one is as good as the first.”
VerifiedNick Adams of "Fathers and Sons" in Winner Take Nothing (1932) · evidenceDetails & citeHunting
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“Here is the piece. If you can't say fornicate can you say copulate or if not that can you say co-habit? If not that would have to say consummate I suppose. Use your own good taste and judgment.”
VerifiedLetter to Esquire editor Arnold Gingrich (11 April 1935); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker · evidenceDetails & citeObscenity
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“They say the seeds of what we will do are in all of us, but it always seemed to me that in those who make jokes in life the seeds are covered with better soil and with a higher grade of manure.”
VerifiedA Moveable Feast (1964) · evidenceDetails & citeSense of Humor
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“There is no lonelier man in death, except the suicide, than that man who has lived many years with a good wife and then outlived her. If two people love each other there can be no happy end to it.”
VerifiedDeath in the Afternoon (1932) · evidenceDetails & citeWidowhood
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“Decadence is a difficult word to use since it has become little more than a term of abuse applied by critics to anything they do not yet understand or which seems to differ from their moral concepts.”
VerifiedDeath in the Afternoon (1932) · evidenceDetails & citeDecadence
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“Only one marriage I regret. I remember after I got that marriage license I went across from the license bureau to a bar for a drink. The bartender said, ''What will you have, sir?'' And I said, ''A glass of hemlock.''”
VerifiedPapa Hemingway (1966) · evidenceDetails & citeMarriage
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“Poor Faulkner. Does he really think big emotions come from big words? He thinks I don't know the ten-dollar words. I know them all right. But there are older and simpler and better words, and those are the ones I use.”
VerifiedPapa Hemingway (1966) · evidenceDetails & citeWords
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“Having books published is very destructive to writing. It is even worse than making love too much. Because when you make love too much at least you get a damned clarte that is like no other light. A very clear and hollow light.”
VerifiedLetter to Bernard Berenson (2 October 1952); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker · evidenceDetails & citePublishing and Publishers
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“I've tried to reduce profanity but I reduced so much profanity when writing the book that I'm afraid not much could come out. Perhaps we will have to consider it simply as a profane book and hope that the next book will be less profane or perhaps more sacred.”
VerifiedAbout his book, The Sun Also Rises in a letter (21 August 1926); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker · evidenceDetails & citeSwearing
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“God knows people who are paid to have attitudes toward things, professional critics, make me sick; camp following eunuchs of literature. They won't even whore. They're all virtuous and sterile. And how well meaning and high minded. But they're all camp followers.”
VerifiedLetter to Sherwood Anderson (23 May 1925); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker · evidenceDetails & citeCritics and Criticism
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“You're an expatriate. You've lost touch with the soil. You get precious. Fake European standards have ruined you. You drink yourself to death. You become obsessed by sex. You spend all your time talking, not working. You are an expatriate, see? You hang around cafTs.”
VerifiedBill Gorton to Jake Barnes, in Book 2, Ch. 12 · evidenceDetails & citeExile
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“How simple the writing of literature would be if it were only necessary to write in another way what has been well written. It is because we have had such great writers in the past that a writer is driven far out past where he can go, out to where no one can help him.”
VerifiedNobel Prize Speech (1954) · evidenceDetails & citeLiterature
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“I have noticed that doctors who fail in the practice of medicine have a tendency to seek one another's company and aid in consultation. A doctor who cannot take out your appendix properly will recommend you to a doctor who will be unable to remove your tonsils with success.”
VerifiedA Farewell to Arms (1929) · evidenceDetails & citeDoctors
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“All you can be sure about in a political-minded writer is that if his work should last you will have to skip the politics when you read it. Many of the so-called politically enlisted writers change their politics frequently . Perhaps it can be respected as a form of the pursuit of happiness.”
VerifiedParis Review interview (1958) · evidenceDetails & citeLiterature
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“Our nada who art in nada, nada be thy name thy kingdom nada thy will be nada in nada as it is in nada. Give us this nada our daily nada and nada us our nada as we nada our nadas and nada us not into nada but deliver us from nada; pues nada. Hail nothing full of nothing, nothing is with thee.”
VerifiedThe old waiter of "A Clean, Well-Lighted Place" in Winner Take Nothing (1932) · evidenceDetails & citePrayer
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“Then there is the other secret. There isn't any symbolysm [sic]. The sea is the sea. The old man is an old man. The boy is a boy and the fish is a fish. The shark are all sharks no better and no worse. All the symbolism that people say is shit. What goes beyond is what you see beyond when you know.”
VerifiedLetter to Bernard Berenson (13 September 1952); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker · evidenceDetails & citeSymbols
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“The hardest thing to do is to write straight honest prose on human beings. First you have to know the subject; then you have to know how to write. Both take a lifetime to learn, and anybody is cheating who takes politics as a way out. All the outs are too easy, and the thing itself is too hard to do.”
VerifiedA Letter from Cuba (1934) · evidenceDetails & citeLiterature
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“You know lots of criticism is written by characters who are very academic and think it is a sign you are worthless if you make jokes or kid or even clown. I wouldn't kid Our Lord if he was on the cross. But I would attempt a joke with him if I ran into him chasing the money changers out of the temple.”
VerifiedLetter (21 June 1952); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker · evidenceDetails & citeLiterary Criticism
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“There are some things which cannot be learned quickly, and time, which is all we have, must be paid heavily for their acquiring. They are the very simplest things and because it takes a man's life to know them the little new that each man gets from life is very costly and the only heritage he has to leave.”
VerifiedDeath in the Afternoon (1932) · evidenceDetails & citeLearning
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“All good books are alike in that they are truer than if they had really happened and after you are finished reading one you will feel that all that happened to you and afterwards it all belongs to you; the good and the bad, the ecstasy, the remorse, and sorrow, the people and the places and how the weather was.”
VerifiedA Letter from Cuba (1934) · evidenceDetails & citeBooks and Reading
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“If the book is good, is about something that you know, and is truly written, and reading it over you see that this is so, you can let the boys yip and the noise will have that pleasant sound coyotes make on a very cold night when they are out in the snow and you are in your own cabin that you have built or paid for with your work.”
VerifiedA Letter from Cuba (1934) · evidenceDetails & citeContentment
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“The rich were dull and they drank too much or they played too much backgammon. They were dull and they were repetitious. He remembered poor Julian and his romantic awe of them and how he had started a story once that began, ''The very rich are different from you and me.'' And how someone had said to Julian, ''Yes, they have more money.''”
Verified"The Snows of Kilimanjaro," first published in Esquire (August 1936); later published in The Fifth Column and the First Forty-Nine Stories (1938). Originally in Esquire "Julian" was named as F. Scott Fitzgerald, who, in "The Rich Boy" (1926) had written: "Let me tell you about the very rich. · evidenceDetails & citeRiches
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“Writing, at its best, is a lonely life. Organizations for writers palliate the writer's loneliness, but I doubt if they improve his writing. He grows in public stature as he sheds his loneliness and often his work deteriorates. For he does his work alone and if he is a good enough writer he must face eternity, or the lack of it, each day.”
VerifiedNobel Prize Speech (1954) · evidenceDetails & citeWriters and Writing
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